Onze laatste liverecensie.
Onze laatste albumrecensie.
Ons laatste interview.
Onze laatste video.
Tindersticks vocalist Stuart Staples is the mumbling singer who
evokes an exceptional atmosphere when he is accompanied by
smooth melancholy orchestrations.
The poetic lyrics
of the often difficult songs invigorate emotions because the
use of the instruments and the intonation of the orchestra
is well attuned with the content of these lyrics. Although
Tindersticks have a recognizable sound, they can still be
complimented on their diversity of approaches to construct a
song. Although the British charts were dominated by Indie
Britpop-guitar bands when Tindersticks released their
untitled first album in 1993 they already gained much
appreciation by the press and a dedicated group of fans. The
first album was named Album of the Year by the Melody Maker.
The band from Nottingham started as Asphalt Ribbons featuring Stuart Staples (vocals), David Boulter (keyboard) and Dickon Hinchcliffe. Together with Neil Fraser (guiter), Mark Cornwill (bass) and Al McCauley (drums) these three members formed Tindersticks in the summer of 1992. The members decided they wanted to make music they wanted to play. If people didn't want to hear it, that was fine. This deal resulted in a first single called 'Patchwork' released on their own label, Tippy Toe. This single was followed by 'Marbles', 'A Marriage Made In Heaven' and the Unwired EP. After that the band signed a contract at the This Way Up label. In the summer of 1993 the first Tindersticks album was released.
Tindersticks proves to be an extraordinary band when they
record and release two very diverse songs. The first is John
Barry's James Bond theme 'We Have All The Time In The World'
(a few years later also performed by the Fun Lovin'
Criminals) and the Pavement cover 'Here'. They show they
haven't got a problem playing which song whatsoever. The
second Tindersticks album is also untitled. This release
brought the band in 1995 to higher stages. The single 'No
More Affairs' is a success in the alternative scene
supported by the tremendous video showing a big ballroom
where the band plays for just one couple dancing to the
melodies. When the intensity of the song strengthens, the
ballroom is all of a sudden full of couples performing the
same dance.
Live shows by the Tindersticks are very special because they can bring the same atmosphere like on the albums and the audience also responds to it. Like a friend of me told me once after seeing this band: "I looked around and I saw many grown men just cry and it was just like the music was all that existed at the moment. I've never seen something like this before". In Holland their performance in the Melkweg in Amsterdam was chosen as the #2 best concert of the year 1995 (the Belgian band dEUS was number one so there's nothing to be ashamed of). The second Tindersticks album appeared on nearly every British Top Ten list of the Best of 1995. In November of 1995 the group released the live album Bloomsbury Theatre (with orchestra).
After releasing a soundtrack for the Claire Danes movie
'Nenette Et Boni' the band starts recording a new album
called Curtains. The great expectations of the record
company, the fans and especially the band itself causes a
lot of headaches involved with the recording, re-mixing,
re-recording, etc. But when the album is finished, Fraser
admits that 'I think it's the first time we've actually made
a complete album that runs smoothly'. Stuart Staples tells
that the ultimate Tindersticks-sound as meant in the
beginning has been reached and the next album will sound
different because it's time to do something else.
But first the album Curtains. It's a sixteen track album
starting with the beautiful 'Another Night In' (on the second
Tindersticks album there was already a song called 'A Night
In) and the song is the introduction of an impressive album
with a diversity of high quality songs. Two singles are
taken from it: 'Rented Rooms' and 'Traveling Light', a duet
with the Walkabouts' Carla Torgerson. But Curtains isn't an
album with real singles on it. You've got to listen to the
album as a whole. And that's also the case with the new
Tindersticks-album:
Tindersticks - Simple Pleasure
The band announced to do something different from the past
albums on Simple Pleasure and in a certain way they did. On
this album the band picks up their own instruments and don't
make much use of the little orchestra's we're used to. 'Can
We Start Again' is the first song of the album and also the
first single. The up-tempo song starts with a normal
acoustic guitar and Stuart Staples is supported by some
background vocals. We also hear some female soulsingers on
'I Know That Loving'. And the album only contains nine
songs. So when we ask ourselves has anything changed? The
answer is Yes. But still the original and unique sound of
the Tindersticks music is kept alive. But that's not hard
with the recognizable dark voice of Stuart Staples that
makes this nightclub-music sound gloomy. Songs like 'Looking
For A Way Out' and 'If She's Torn' are even some the best
things Tindersticks has ever brought us. What more can I
say?
http://www.kindamuzik.net/achtergrond/tindersticks/tindersticks/487/
Meer Tindersticks op KindaMuzik: http://www.kindamuzik.net/artiest/tindersticks
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